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Mozart Symphony No.40 in G K.550/Massimo Freccia Part4-4
Pershkrimi videos:================================
Wolfgang Amadeus Mozart Symphony No.40 in G minor, K. 550
1 Molto allegro Part1-4
2 Andante Part2-4
3 Menuetto & Trio--Allegretto Part3-4
4 Finale--Allegro assai Part4-4
Classical Period Symphony
Orchestra of The Accademia Di Santa Cecilia, Rome/Massimo Freccia
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Related information:
Massimo Freccia continued:
Freccia returned to London for several years as guest conductor of the LPO, the Philharmonia, the Royal Philharmonic Orchestra (RPO) and the BBC Symphony Orchestra. In 1959 Freccia returned to Italy for six years as conductor of the RAI Orchestra. During that time he twice conducted concerts for Pope John XXIII. Freccia made some international tours, conducting in Japan in 1967 and then in Australia. In later years he conducted frequently in Monte Carlo. For four years he conducted concerts with the Juilliard Orchestra in New York. He returned to Vienna in 1981 to conduct the Radio Orchestra and conducted the RPO in London in 1983 and 1986 in concerts for the RAF Benevolent Fund. His last London appearance was on 15 June 1987, when he conducted Verdi's Requiem at the Festival Hall in the presence of Diana, Princess of Wales in commemoration of the 30th anniversary of Toscanini's death. Freccia lived in London for many years.
His last concert was in 1998 when, at the age of 92, he conducted Beethoven's Ninth Symphony in the square at Montepulciano.
He made fine recordings of Berlioz's Symphonie fantastique with the RPO, and Shostakovich's Fifth Symphony with the LPO, as well as several discs of the Russian and Italian repertoire. He accompanied soloists such as Arturo Benedetti Michelangeli and Earl Wild in the piano concerto repertoire.
Massimo Freccia published an autobiography, The Sounds of Memory, in 1990 when he was 84, in which he expressed candid views on other conductors. Most of them, he wrote, were too conceited, mistrustful and even occasionally vicious. Sir Thomas Beecham, for instance, "emphasised his pomposity" by his poses and pretensions. "Not once have I been touched by his performances. I always found his artistry superficial." Herbert von Karajan was "not a nice man". Leopold Stokowski produced a lush sound, yet "one had the feeling that underneath there was something false. His speech was particularly affected... He gave the impression of a glittering, multi-coloured painted shell; when one looked inside one found an infinite emptiness." Only Toscanini escaped savage censure, although Freccia conceded that his reputation for strict observance of the score was a myth.
He died on 16 November 2004, aged 98, survived by his wife. They had no children, although she had a daughter from her first marriage.
http://en.wikipedia.org/wiki/Massimo_Freccia
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