Montserrat Caballe as Lucrezia Borgia "Com'è bello"

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Montserrat Caballe as Lucrezia Borgia "Com'è bello"

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From Donizetti's Lucrezia Borgia. BBC Telecast, 1970

Etiketat: Borgia Caballe Donizetti Lucrezia Montserrat Opera
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Montserrat Caballe in Viva la mamma from Donizetti	Fiorenza Cossotto sings "Innegiamo" from Cavalleria	Ah,mes amis!

Montserrat Caballe in Viva la mamma from Donizetti	Fiorenza Cossotto sings "Innegiamo" from Cavalleria	Ah,mes amis!

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Simply beautiful. ... ( 9 months ago by operaboy81)

Simply beautiful. There are even some good trills in this aria.

Maria de Macchi is ... ( 9 months ago by ATsarIsBorn)

Maria de Macchi is the only soprano ever to have sung Lucrezia Borgia at the Met.

Montserrat è ... ( 9 months ago by italien444)

Montserrat è semplicemente magnifica, regale, appassionata, dolcissima. Insomma: meravigliosa.

Devia sounds like a ... ( 9 months ago by riccardo699)

Devia sounds like a pipsqueek compared to Caballe...................

Are you sure about ... ( 9 months ago by Bigman240)

Are you sure about that? About Devia, that is? In any case, both Devia and Caballé have exceptional talent. Devia may have a smaller voice but her technique is flawless, and she doesn't use all those portamenti like Caballé

LA MEJOR!!! ( 7 months ago by energyandpower)

LA MEJOR!!!

She sounds ... ( 6 months ago by Turand0t)

She sounds wonderful. :) I love this aria. Definitely better than Sutherlands. Allthough I'm a die hard Sutherland fan.

In this particular ... ( 6 months ago by Jabe88)

In this particular aria, Caballe wins hands down.
In the others (especially Era desso), Sutherland wins...

The most beautiful ... ( 5 months ago by ATsarIsBorn)

The most beautiful melody Donizetti ever composed , sung by the role's premiere exponent.

Utter perfection. ( 5 months ago by tarstan)

Utter perfection.

This is gorgeous! ( 4 months ago by lalay513)

This is gorgeous!

"all those ... ( 3 months ago by Steinweg9)

"all those portamenti"
Those portamenti are correct. The voice is a portamento instrument. The music is written with the portamento in it, it simply must be rendered properly.

In fact! It's a ... ( 3 months ago by Bigman240)

In fact! It's a matter of taste in the end. Portamenti are good when executed properly, as you say. Too much of anything, though, is not good, and Caballé overused the portamento. Furthermore, the portamento should be barely notieceable, which is certainly not the case here.

Size is one thing, ... ( 3 months ago by Bigman240)

Size is one thing, technique is another. I could always here Devia in the theatre. Of course, Devia is a higher, lighter soprano, Caballé couldn't go much higher than high C, if I'm not mistaken. In here later years, Caballé had difficult with a B below high C. It's technique we're discussing here.

Your observation is ... ( 2 months ago by boris1281)

Your observation is so not correct that I wonder whether we refer to one and the same singer here. What does "couldnt go much higher than high C" mean? How was she able to sing parts like Lucia, Lucrezia, Elisabetta, Semiramida, Violetta, Norma, Mimi, Desdemona, which all have notes above the High C. Where you are right, howeverm is that she used to omit problematic places in liv eperformances - certain cadenzas that are more likely to lead to a slip. Shee could do that only because she was star

Honey, check it out ... ( 2 months ago by Bigman240)

Honey, check it out for yourself. You don't seem to know the scores very well. I've got them in front of me! She recorded some roles too late, such as Lucia. And her pronunciation was quite bad at times, sacrificed so as to get through a high-lying passage. And like many other "great singers", she used rubato and sang the music as best suited her capabilities at the given time...Listen to her Le Villi aria in concert...I understand you're a big Caballé fan...Enjoy! Take care!

Thanks, hon, I am ... ( 2 months ago by boris1281)

Thanks, hon, I am not a big Caballe fan, I simply like her. Honestly, I do not hear such pronounciation problems as you do, but then again, your ears seem to be more opened for mistakes. Your argument seem to be very general. I am going to refer to a very concrete one - her recording of Lucrezia with Verett and Kraus was done, well certainly not late in her career. It was supervised by Perlea and Luigi Ricci. The last two names are the most renowned opera conoissures in Italy.

Since they have ... ( 2 months ago by boris1281)

Since they have opteed for Caballe it means that she can do some stuff better than others. And in this particular recording she definitely does and she sings a couple of tones above the C - check the score. Cheers!

The Lucrezia ... ( 2 months ago by Bigman240)

The Lucrezia recording you refer to is truly exemplary.

"Furthermore, the ... ( 2 months ago by octavian1960)

"Furthermore, the portamento should be barely notieceable, which is certainly not the case here."
I think it's a matter of what you pay attention to...

CHE NOOOOOOOOOIA!!! ... ( 2 months ago by vivaldiano)

CHE NOOOOOOOOOIA!!!!!!...la Caballe ha la voce più bella di tutti i tempi...UN VIOLINO STRADIVARI!...ma proprio per questo non ha mai ricercato una vera interpretazione,sempre uguale!Piatta e inespressiva:risolveva tutto con il timbro bellissimo...per questo appunto E'NOIOSISSIMA!

Caro Vivaldiano, ... ( 2 weeks ago by Zerbinetta2000)

Caro Vivaldiano,ebbi la fortuna e la Grazia di poter essere presente alle migliori interpretazioni di Montserrat:tutto si può dire meno che NOIOSISSIMA-altrimenti come mai migliaia di Persone andavano sempre in Delirio per Lei?Ricordo le Emozioni che elargiva in Teatro-Era certamente più "calda" in Teatro che nei CD ma comunque ricordiamoci che stiamo parlando di una fra i GRANDI di questo Secolo : un pò più di rispetto!grande Montserrat!Grazie di tutto quel che ci hai dato !

Inoltre volgio ... ( 2 weeks ago by Zerbinetta2000)

Inoltre volgio aggiungere che ebbi il piacere di assistere a 2 Sue esecuzioni di Salomè , negli anni '80 , in Spagna : non ci sono parole per descrivere quali varietà dinamiche , quali colori ed accenti a profusione ci donò in quelle occasioni - naturalmente occorre non dimenticare che ogni esecuzione è il frutto di quell'istante e ciò che è fatto è fatto ...tutto cangia !!Ed ora purtroppo anche per Lei il Tempo è finito...prego Iddio che ne arrivi un'altra così dotata e stupenda !

CaraZerbinetta,su ... ( 1 week ago by vivaldiano)

CaraZerbinetta,su youtube non si giuducano le carriere degli artisti!Semplicemente viene data la possibilita di scrivere un commento sul video proposto in questione.Fotunata te quindi se l'hai sentita in altre performance,ma se io questa clip la sento noiosissima(perchè tale è:senza nerbo,senza tensione,tutta una nenia)credo di non mancare di rispetto allaDivina Caballe! Se vuoi postare brani dove per te comunica "reale" pathos sarò contento di sentirli ed emozionarmi.Per oraNADA!

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Montserrat Caballe as Lucrezia Borgia "Com'è bello"