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Victoria Loukianetz sings Rossini's "Semiramide", Bel raggio
Pershkrimi videos:Ukranian Victoria Loukianetz sings the aria "Bel raggio lusinghier" from Gioachino Rossini's opera "Semiramide" (with some additional top e's!). The recording was made in Prague in December 2005. The orchestra was conducted by Frantisek Preisler. Look out for other uploads of the same concert, together with tenor Cosmin Ifrim.
More info about the artist at http://www.fischerartists.com/
Video te Peraferta:
Komentet: Shfaqi || Fshehi
| Komentet per kete video ne YouTube |
| competence, ... ( 1 year ago by haraldomma) |
| competence, character, courage - in beautiful combination |
| in combination with ... ( 1 year ago by Hiigar) |
| in combination with some very ugly high Es... |
| I don't think it is ... ( 1 year ago by mercuriesque) |
| I don't think it is ugly at all. |
| No, the recording ... ( 1 year ago by LindoroRossini) |
| No, the recording as a whole is not ugly, her middle register is like honey to my ears ;-) , but in the region high D, she becomes just too shrill for my taste. |
| is there such a ... ( 1 year ago by BeauTenor) |
| is there such a thing as a beautiful high E? I mean really, I think it's more that it's either thrilling, or it's not. I've never thought they were so much to add beauty to the music as they are to add "wow" to it. Few sopranos have solid reliable notes of ANY kind that far above the staff. |
| What about ... ( 1 year ago by LindoroRossini) |
| What about Sutherland, her high Es are plain beautiful (espessialy on her early recordings, for example, in "Bel raggio" on "the Art of the Primadonna" features some truly wonderful and beautiful high notes)? Or Caballe (Il Pirata), Schwarzkopf (Don Giovanni), Sumi Jo (the Magic Flute)? |
| I guess it's all ... ( 1 year ago by BeauTenor) |
| I guess it's all about how the sound makes you feel. For me personally, for just sheer beauty of tone I like mid voice, long phrases (like verdi, or strauss lieder). For thrilling stuff I listen to Norma (which has beautiful moments too), and full tilt Wagner and Strauss arias with a hugh orchestra underneath. Just a preference. |
| I think I ... ( 1 year ago by LindoroRossini) |
| I think I undersatnd what you mean. Of course, Miliza Korjus's high Es, Fs, Gs are exciting, but what's the point? For me, a good singer must have a secure lower and middle voice, only then we can start talking about high notes. Come to think of it, a lot of wonderful arias are written for the middle/lower voice. Still, for me, a couple of good high Cs can't hurt ;-) . |
| I like her voice ... ( 1 year ago by topogiorno1980) |
| I like her voice but she needs to stop changing tempo so drasticlly.... A lot of times she is behing or ahead of the orchestra |
| The voice does ... ( 1 year ago by Fredzeblak) |
| The voice does exist. But a strange rhythm and the way pretends having so much fun on stage and playing the part at the same time. The welcome at the nd is not that warm... really too cold to me. She gave a lot in a good way. |
| Good Voice, but ... ( 1 year ago by actionsrlouder) |
| Good Voice, but there is a tempo fight between the conductor and the singer...... Please decide...Goodness |
| Buena voz, y buen ... ( 1 year ago by Njamh) |
| Buena voz, y buen control.. pero se inventa la letra..xD y Rossini la escribió con alguna intención |
| Oh, could you ... ( 1 year ago by Iareto) |
| Oh, could you kindly point me in the direction of Caballe's high E? I would LOVE to hear that! |
| I haven't heard of ... ( 1 year ago by bmh4d0k3n) |
| I haven't heard of Caballe EVER singing a high E--a D's as high as I've heard from her. LindoroRossini was mentioning some stunning high notes--not necessarily E. |
| She opens the high ... ( 1 month ago by colibridelapampa) |
| She opens the high notes and looses the control and the beauty of her voice..... |
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