Una voce poco fa - Barber Contest

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Una voce poco fa - Barber Contest - Marilyn Horne

Pershkrimi videos:
Una voce poco fa is one of Rossini's most memorable pieces and for good reason. It showcases more than just singing but the character of Rosina. Again a score of 1-5 for singing/characterization:
Roberta Peters - 1963
Mado Robin - 1955
Beverly Sills - 1979
Joan Sutherland - 1972
Teresa Berganza - 1966
Frederica von Stade - 1989
Ewa Podles - 1984
Vesselina Kasarova - 1999
Joyce DiDonato - 2005
Sonia Ganassi - 1992
Maria Bayo - 1998
June Anderson - 1986
Ruth Ann Swenson - 1988 (sorry again for the skips in this clip the quality is very poor)
Marilyn Horne - 1980

Etiketat: horne opera rossini
Shikoni te Gjitha Videot e coloraturafan

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Una voce poco fa - Barber Contest - Joyce DiDonato	Una voce poco fa - Barber Contest - Teresa Berganza	Una voce poco fa - Barber Contest - Joan Sutherland

Una voce poco fa - Barber Contest - Joyce DiDonato	Una voce poco fa - Barber Contest - Teresa Berganza	Una voce poco fa - Barber Contest - Joan Sutherland

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You have to give a ... ( 8 months ago by watchstone)

You have to give a mezzo soprano credit for even being able to sing this aria! Ms. Horne has an incredible range. Because of this, a few of the coloratura lines scale downward instead of upward, but still, very enjoyable.

I agree she is ... ( 8 months ago by sevoflurane)

I agree she is great, but why do we have to give her credit for being able to sing this aria? It was originally written for a contralto.

I have always loved ... ( 8 months ago by rawdonqueen)

I have always loved her rock-solid voice, and I find her singing here exciting. 5/5

3/2 ( 8 months ago by felipecunha)

3/2

No, it was written ... ( 8 months ago by SondheimLove)

No, it was written for a mezzo-soprano with coloratura
A contralto piece wouldn't stay as high as this piece does

Nope. At the time ... ( 8 months ago by sevoflurane)

Nope. At the time of Rossini every voice was capable of coloratura. The first interpreter was Righetti-Giorgi, a contralto with a range from F to high B. Rossini wrote transpositions for soprano as well.

O really? wow. Then ... ( 8 months ago by SondheimLove)

O really? wow. Then again my music history book had some other false info in it too, so im not that surprised that I had wrong information. lol. Thank you.

This is really ... ( 8 months ago by catacuervo)

This is really amazing!!!!!!! Her coloratura is perfect.

I am not trying to ... ( 7 months ago by CountertenorJ)

I am not trying to be sarcastic or biting, but during the course of studying a degree in musicology I will say that many, MANY music history books (especially ones that are generalized books not specific to an era or styling) are full of misinformation and malinformation and just plain unfounded and undocumented information.

I've yet to find a ... ( 7 months ago by CountertenorJ)

I've yet to find a singer that can seamlessly switch between registers where I, or most any trained ear, can't hear. Just think, it could be Ewa Podles. :-)

Her range was ... ( 7 months ago by davetomala)

Her range was superhuman (top and bottom). What glorious sound! And when did she change registers? It's like a magician's trick, first she's in the top register, and then poof, she's gone elsewhere. Incredible. Marilyn was in a league all her own. What a shame I never saw her perform, and thank goodness for these recordings so we can still enjoy her.

fantastica. ( 6 months ago by arredifestivi)

fantastica.

You're speaking ... ( 6 months ago by maggiepower)

You're speaking about her as if she's dead. She isn't. I'm seeing her tonight!

Oops - you're right ... ( 6 months ago by davetomala)

Oops - you're right. I meant "what a shame I never saw her perform at her prime." :)

i love this video!! ... ( 6 months ago by operadivo17)

i love this video!!
the best ive seen!!

Array ( 6 months ago by kateholli)

great
5/5

Hey she's a very ... ( 6 months ago by kngiht84)

Hey she's a very good friend of Sutherland right ? They're both superb

A flawless ... ( 4 months ago by Manxypop)

A flawless technique combined with an incomparible voice to create effortless perfection. So much color in one voice is simply amazing.

What did she do at ... ( 3 months ago by trumansf)

What did she do at 4:41 and 4:43? I don't like that. The rest is perfect!

She's never been my ... ( 2 months ago by Iareto)

She's never been my favorite. There is just something about this voice that I genuinely dislike. Something I can't put my finger on really. I do, however, appreciate that she is a fantastic artist with a very, VERY fine instrument. It's just not for me. 3/3.

its just different ... ( 2 months ago by skitzo429)

its just different fioratura, she decided to sing a low B instead of a high B. Ive never heard that particualr interpretation either.

haha only she can ... ( 2 months ago by skitzo429)

haha only she can pull of ending down low

She always did this ... ( 1 month ago by boomsloot)

She always did this "poh/poh"thing, and again adding two notes that were not written "poh- poh". She is always singing far more notes than the composer wrote. Her art.

Yes, and Mrs. Horne ... ( 1 month ago by boomsloot)

Yes, and Mrs. Horne does that in a BIG and GREAT way! This was not a bad comment. A lot of people do not appreciate it. I like it but not for hours. Once, in Germany a journalist called her a "machine gun, shooting the audience with her notes. He ment it real bad, but I just loved that expression. For Horne it must have been a positive comment as well because a machine gun is absolutly legato and no mezzo in the world can explore so many legato ornamentations as Marylin.

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Una voce poco fa - Barber Contest - Marilyn Horne