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Rockwell Blake & Alketa Cela - Les Huguenots 1/2
Pershkrimi videos:First part of the famous duet in Les Huguenots (Act IV) - Metz 12/06/2004 - Note the incredible pianissimo high-d at the end
Video te Peraferta:
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| Rockwell Blake@Tucker Gala 1992 | Alketa CELA mimi "sono andati" | Meyerbeer: Les Huguenots - Ensemble (1990/1970) |
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| Rockwell Blake@Tucker Gala 1992 | Alketa CELA mimi "sono andati" | Meyerbeer: Les Huguenots - Ensemble (1990/1970) |
Tregoni per Kete Video ne :
Komentet: Shfaqi || Fshehi
| Komentet per kete video ne YouTube |
| Blake is pathetic. ( 2 years ago by ksavski) |
| Blake is pathetic. |
| One may argue that ... ( 2 years ago by bigpinkypig) |
| One may argue that you are pathetic, missing all the great voice effects he is offering us in this duet but I prefet not to bother; after all, you are a free man and being rude and ignorant are two of your many rights... |
| great truely an art ... ( 2 years ago by misticspear) |
| great truely an art form |
| I feel ksavski ... ( 2 years ago by blakemooney) |
| I feel ksavski missed Blake's intent here. The courageous effort Blake goes to here is always noble. He gives generously of his voice and career. One must remember that many singers employed exaggerated trills or sobs during certain passages of an aria always based on what they believed to be an improvement: Gigli for one. Gigli was highly criticised for his emoting and unnecessary sobbing at particular lines yet Richard Tucker, America's Caruso, admired him most. |
| Watch Leech and ... ( 2 years ago by Bigoperaman) |
| Watch Leech and Lorengar if you want to see it done correctly. I have to go with Ksavski. I've never been impressed with this guy. All of those so called "great voice effects" are nasally throaty ways out of singing with some balls. Richard Leech is an incredible example of singing this role with a low larynx and a full-bodied sound. Not putting aside that this is one of (if not, THE) the most difficult roles in the tenor repetiore, it can still be done like a man. |
| Even better, go ... ( 1 year ago by ksavski) |
| Even better, go with Giordani & Stoyanova. ;) I never said Blake was a bad singer but a Rossini singer in Huguenots is simply not the right thing. Either you do it like it should be or you don't. This is heroice not high lyric repertory. I rather hear them give a few decibels more and let them sound fuller. |
| Meyerbeer was on of ... ( 1 year ago by josephlemon) |
| Meyerbeer was on of the several composers who admired, and tried to be Rossini. Meyerbeer and the rest of the french bel canto composers are just like Bellini, Donizetti, and Rossini. especially seeing as how they copied the Italians stylistically. |
| Leech screams in ... ( 1 year ago by josephlemon) |
| Leech screams in the role, and has wierd jaw movements. Blake was basically the only tenor to revive many of the lost bel canto gems. btw, that bullshit lowered larynx technique is superfluous. your larynx already lowers when you take in a breath. that technique actually makes you sound throaty. |
| The high note is a ... ( 1 year ago by bondal) |
| The high note is a Db not a D and it is brilliant, though Richard Leech sings it much better! |
| you people are ... ( 1 year ago by pyriel987) |
| you people are vicious, and cant enjoy the music. Both tenors are excelent at what they do. Blake didnt have the most beautiful voice, but it was very effective in what he could do with it. He was good enough to have a brilliant career, what have you done? and plus the to say the lowered larynx technique is bullshit, is to say that people like corelli and giacomini and of the sort were hacks... |
| Thank you pyriel. ... ( 1 year ago by operastud82) |
| Thank you pyriel. Blake is one of the greatest tenors alive-may not be always pretty but always expressive and well executed. This is also Rocky at the very end of his 30 yr long career - and this role is NOT meant to be as dramatic as it is sometimes done-not if you don't cut all the fioratura and high notes! |
| I don't think Leech ... ( 1 year ago by BeauTenor) |
| I don't think Leech screams at all. It's an exciting voice; Lorengar too...no soprano singing now could match her, and she was almost 60. Blake was a great singer, although he was an acquired taste and not for everyone. |
| The lowered larynx ... ( 1 year ago by vickersman) |
| The lowered larynx technique is normally practiced by most tenors-one naturally does it to secure higher notes, etc etc(BTW it has nothing to do with the long forgotten Melocchi method.-just standard practice) Also Leech ,I agree does not scream.josephmelon is a 20 year old twit. |
| p.s. pyriel 1987- ... ( 1 year ago by vickersman) |
| p.s. pyriel 1987-you have some good posts of your own. Keep it up. |
| was that ment to be ... ( 1 year ago by pyriel987) |
| was that ment to be sarcastic? |
| No not at all...my ... ( 1 year ago by vickersman) |
| No not at all...my mistake I thought you had posted some of Jerry Hadley's material. I think also that Blake had a sweet sound- especially for Handel.Anyway sorry about any mix-up Goodday. |
| I agree, most ... ( 1 year ago by pyriel987) |
| I agree, most people see the lowered larynx technique as the Melocchi technique, but this definately is not so. It did, like common practice teach to lower but not press down on the larynx. A high larynx, i for sure would not reccoment, unless you want to wreck your voice. |
| sorry, but i think ... ( 1 year ago by ganteros) |
| sorry, but i think is not a high D, but a high C sharp. prove it. |
| The larynx actually ... ( 1 year ago by spgtenor) |
| The larynx actually will freely move up in the upper register, down in the lower register. Covering the voice will decrease laryngeal movement, though singers should never think about what their larynx is doing, rather how it sounds and feels when singing high notes. |
| Actually, I'm ... ( 11 months ago by 69pepeto) |
| Actually, I'm pretty sure it's not a high D neither a high C sharp but a high D flat :P (if I remember correctly this scene is in G flat major). |
| And also...the ... ( 6 months ago by agnellodei) |
| And also...the concept of eveness of tone and covering is more of a Verdi tenor thing, before that in the bel canto times tenors were more concerned with agility and good high notes (both ppp and ff) than eveness of tone. |
| She is my childhood ... ( 1 month ago by sf471) |
| She is my childhood friend. Amazing girl!! |
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