Pergolesi's Quando Corpus- Sebastian Hennig and Rene Jacobs

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Pergolesi's Quando Corpus- Sebastian Hennig and Rene Jacobs

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"When my body dies, let my soul be granted the glory of Paradise. Amen."
Born in October 1968, Sebastian Hennig was a member of the Knabenchor Hannover from 1976 to 1994. He is the son of its founder-director, Heinz Hennig. Boy soprano Sebastian Hennig is nearly ideal at 14 1/2 years in this original version of Pergolesi's work, paired with an (adult) male alto and accompanied by five string players plus organ. The original LP recording has been release as a CD and is available at a number of online CD retailers. See the link for further details.
http://www.boysoloist.com/artist.asp?vid=342
René Jacobs (Born: October 30, 1946, Ghent) is a Belgian singer. He came to fame as a countertenor but in recent years has become renowned as a conductor of Baroque and early Classical opera. Jacobs began his musical career as a boy chorister at the Cathedral of Ghent.
http://en.wikipedia.org/wiki/Ren%C3%A9_Jacobs
Stabat Mater is a thirteenth century Roman Catholic sequence variously attributed to Innocent III and Jacopone da Todi. Its title is an abbreviation of the first line, Stabat mater dolorosa ("The sorrowful mother was standing"). The hymn, one of the most powerful and immediate of extant medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion. It has been set to music by many composers, among them Giovanni Pierluigi da Palestrina, Joseph Haydn, Antonín Dvořák, Antonio Vivaldi, Emanuele d'Astorga, Gioacchino Rossini, Giovanni Battista Pergolesi, Charles Villiers Stanford, Charles Gounod, Krzysztof Penderecki, Francis Poulenc, Karol Szymanowski, Alessandro Scarlatti (1724), Domenico Scarlatti (1715), Pedro de Escobar, Arvo Pärt, Josef Rheinberger, Giuseppe Verdi, Zoltán Kodály, Trond Kverno (1991), Hristo Tsanoff, the black metal band Anorexia Nervosa, and most recently Karl Jenkins.
http://en.wikipedia.org/wiki/Stabat_Mater

Etiketat: alto boy Catholic Corpus Cross duet Hannover Holy Knabenchor Lent male Mater Quando soprano Stabat Stations treble Week
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Katia Ricciarelli - Stabat Mater - Quando corpus morietur	Pergolesi's Stabat Mater - Inflammatus, Quando Corpus & Amen	Pergolesi - Stabat Mater - moritur and amen

Katia Ricciarelli - Stabat Mater - Quando corpus morietur	Pergolesi's Stabat Mater - Inflammatus, Quando Corpus & Amen	Pergolesi - Stabat Mater - moritur and amen

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Check the video ... ( 7 months ago by RyanGolddRedux)

Check the video description. Boy treble is singing the soprano line and an adult male counter-tenor is singing the the alto line.

I'm afraid I don't ... ( 7 months ago by RyanGolddRedux)

I'm afraid I don't have any special secrets. I took a mp3 rip of the CD at 194 kbps and used Windows Movie Maker to attach it to some pictures.

Good thing Herr ... ( 7 months ago by tjwhite1963)

Good thing Herr Hennig allowed the extra training in this case. However, I wouldn't mind hearing a good countertenor singing the alto part (Jacobs is excellent, as would be Daniels or Jaroussky). A good adult female soprano would be Sarah Brightman (whose vibrato is always tightly controlled & in perfect taste, & whose clarion voice could etch crystal). Duelling warbles from hyper-endowed Estrogen in music of this period, however, are not welcome (for my part).

Understood. Thanks ... ( 7 months ago by tjwhite1963)

Understood. Thanks for replying.

I know this may ... ( 7 months ago by tjwhite1963)

I know this may sound strange, but my all time favourite recording of this amazing work was done some years ago by the King's College Choir (en masse), & appeared on the Amadeus film soundtrack. Ironically, it wasn't until I heard that version that I felt I had really 'gotten' what the composer had intended to say there (emotionally-speaking, that is). Even more ironic in that the work wasn't scored for full choir, but rather, for only the two soloists. Purists will hate me, but there it is.

Jacobs, of course ... ( 7 months ago by RyanGolddRedux)

Jacobs, of course is the countertenor. Be polite to the ladies. Some watch my vids.

It's your page, so ... ( 7 months ago by tjwhite1963)

It's your page, so of course ... However, my criticism is just (I believe), not only in that I highly praised one of the 'fairer sex', but also in that excessive vibrato is definitely inappropriate in 18th-Century music (a lesson lost on most modern soloists, alas). I had praised Miss Brightman because (among the very few) she seems to have 'gotten' the idea. (Also because of her exceptional vocal quality and talent.) Would that all were of her stature. And of course, Jacobs is a soloist here.

oops i usually look ... ( 7 months ago by janeym)

oops i usually look at the description maybe i just forgot this time...

Beautiful. Nicely ... ( 6 months ago by bestpi)

Beautiful. Nicely done. Exceptional quality I agree. And on You Tube too! Go figure. Must put tears in your eye when listened to in decent quality.

Simple yet splendid ... ( 6 months ago by nivek663)

Simple yet splendid. Wonderful synchronization and soprano works with a lovely voice from all octaves. Dominus Vobiscum, Im sure it pleases the Lord.

I have known and ... ( 6 months ago by colenso05)

I have known and lovedthis recording for many years, having first heard it played over the speakers of a Brighton record shop, for a prospective customer.She(foolishly !) chose a different version, but having heard the lovely tones of Sebastian Hennig, the cd never made it back on to the shelves. I still know of no better version of this work.

I have had this CD ... ( 6 months ago by RonanADunne)

I have had this CD for years and go to it particularly at times of stress!
Thank you!
=8-)[---{

Une très belle ... ( 5 months ago by mourrtii)

Une très belle interprétation, que je ne connaissais pas.........merci

Sebastian Hennig ... ( 5 months ago by tkbewunderin79)

Sebastian Hennig was son of the former director and founder of Hannover boyschoir (Knabenchor Hannover) Heinz Hennig. He sings as soloist in many Bach-Cantatas under Leonhardt (Teldec): 113, 114, 132, 133, 151, etc. Also in Schützs Kleine Geistliche Konzerte and more. He is currently bariton and sings in Hannover Harmonists; he sang also as bariton in the Hammerschmidt-CD.

so soft pure voice ... ( 3 months ago by wujingcdh)

so soft pure voice of boy soprano...how beautiful alto ! rene jacobs was a great countertenor,he has the purest voice! 谢谢！

Straight away I ... ( 3 months ago by saintandrews84)

Straight away I picked pure tone of a male voice.

another one of the ... ( 3 months ago by wujingcdh)

another one of the best countertenors on our planet, andreas scholl,who was rene Jacob's pupil.they have similar great voice,and andeas used to te a boy soprano in choir too( Kiedricher Chorbuben),even after his voice broken,he had been singing head boy, till he was 17 years old.

hennig did have A ... ( 3 months ago by wujingcdh)

hennig did have A Great boy soprano's voice and was skilled,so when i'm listening this piece,i can't help wondering,how would andreas scholl make it?-you know, as a boy soprano he was not so famous as well, i have never had a chance to listen to his choir record yet, maybe he just never ever made any official record as a boy? i guess...

hennig did have A ... ( 3 months ago by wujingcdh)

hennig did have A Great boy soprano's voice and was skilled,so when i'm listening this piece,i can't help wondering,how would andreas make it?-you know, as a boy soprano he was not so famous as well, i have never had a chance to listen to his choir record yet, maybe he just never ever made any official record as a boy? i guess...

This is my favorite ... ( 2 months ago by NuestraSdelRosario)

This is my favorite version of the Stabat Mater Pergolesi. Second favorite is by Emma Kirkby.

rSebastion has a ... ( 1 month ago by 32Styx)

rSebastion has a lovely boy soprano voice, but really can't pull this off quite as well as an adult, especially a countertenor such as Scholl, Chance or Daniels. His breath support iw not ready yet to sustain long phrases in a solo genre. Just my humble opinion (voice teacher of many years).

Why the heck would ... ( 1 month ago by RyanGolddRedux)

Why the heck would one attempt to compare an adult countertenor and a boy treble?

Besides, the work ... ( 1 month ago by RyanGolddRedux)

Besides, the work was written for male soprano and male alto, not two male alto's. Having a countertenor sing the soprano part would be totally missing the point.

I'm not quite sure ... ( 1 month ago by dailung67)

I'm not quite sure what everyone is talking about here. Sebastian Hennig is a boy soprano in this recording, not an alto. He was at the peak of his voice at this period, voice teacher of many years, notwithstanding. And why would anyone want to compare a boy to an adult? A bit strange... Andreas Scholl did not record anything as a boy soproano, as far as I am aware. So, whether he would have done better than Sebastian is academic, isn't it?

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Pergolesi's Quando Corpus- Sebastian Hennig and Rene Jacobs