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Roberto Alagna & Béatrice Uria-Monzon (final duet Carmen)

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Great final duet perfrmed by Béatrice Uria-Monzon and Roberto Alagna, in Bizet's "Carmen", performed at the Chorégies d'Orange in 2004.
Conductor : Myung-Whun Chung / Stage director : Jerome Savary.
Alagna is once again very inspired in his singing. Listen particularly to the line "... eh bien s'il le faut pour te plaire, je resterai bandit, tout ce que tu voudras..." : just WONDERFUL!

Etiketat: alagna bizet carmen monzon muezzab orange roberto uria
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roberto-alagna-sings-e-lucevan-le-stelle.htmlroberto-alagna-sings-e-lucevan-le-stelle.htmlroberto-alagna-sings-e-lucevan-le-stelle.html
Roberto Alagna sings "E Lucevan Le Stelle"GHEORGHIU & ALAGNA - C'est toi, c'est moi - Carmen - Bizet Inva Mula, Roberto Alagna, Rene Pape "Anges purs anges radieux", final - Faust
roberto-alagna-sings-e-lucevan-le-stelle.htmlroberto-alagna-sings-e-lucevan-le-stelle.htmlroberto-alagna-sings-e-lucevan-le-stelle.html
Roberto Alagna sings "E Lucevan Le Stelle"GHEORGHIU & ALAGNA - C'est toi, c'est moi - Carmen - Bizet Inva Mula, Roberto Alagna, Rene Pape "Anges purs anges radieux", final - Faust


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Je suis bien ... ( 1 year ago by tosca31)
Je suis bien d'accord avec vous.
roberto alagna ... ( 1 year ago by opera84)
roberto alagna reviendra cet été au théâtre antique d'Orange, quand à Béatrice reviendra aux chorégies d'Orange en 2008 à nous pour Carmen, nous retrouverons également dans la distribution, le même chanteur qui joua le rôle D'Escamillo
Berganza played her ... ( 1 year ago by altodivo)
Berganza played her as a coquette. Monzon plays her as a tigress and the 'muscular' way of singing works perfectly. She is beautiful enough to pull it off, and it is not HER that needs to sing beautifully (in this scene anyway) it is the Jose, and Alagna is just a little inelegant for me. Frequently pitchy, thank god he can act. I think Monzon is remarkable and her recording is excellent. Lovely to hear the music sung by a French singer.
I've got to agree! ... ( 1 year ago by Elisabetta611)
I've got to agree! I had the pleasure to see her live (As Carmen, in Vienna) and I just LOVED her, especially in this scene.
I agree with you... ... ( 1 year ago by LejeuneWerther)
I agree with you...she's really too muscular!!
Excellent singing, ... ( 1 year ago by montoyapaulo)
Excellent singing, great acting... Dramatically, I like how Alagna accentuates the contrast between his delusional begging before the first chorus that alerts him to Escamillo and afterwards when he becomes more desperate and disturbed. Passionately sung by both, especially from 'Ainsi, le salut de mon âme'.
Beautiful beautiful ... ( 1 year ago by azzz09zzza)
Beautiful beautiful beautiful expresssive eyes and lovely hair! Alagna at his best!
Alagna is one of my ... ( 1 year ago by peterbaldcat)
Alagna is one of my favourite singers,but I think a role of Don Jose is a bit too dramatic for him.Unfortunately he pushes and forces his voice too much.But still great, no doubt.Uria Monzons timbre and breath technique unacceptable.
I know that begging ... ( 1 year ago by brindlemay)
I know that begging doesn't work too well in general, however, if I were in her shoes and Alagna was pleading with me, I'd say, "yes, I adore you Roberto...I mean "Jose", I'll go with you anywhere."
Alagna is wonderful! ( 1 year ago by brindlemay)
Alagna is wonderful!
alagna is great! he ... ( 1 year ago by viennaman89)
alagna is great! he cries wonderfully
Certain tenors have ... ( 1 year ago by Luindriel)
Certain tenors have a similar affect on me, lol! I just saw him live- he's amazing!
For me Domingo is ... ( 1 year ago by canafinwe)
For me Domingo is the perfect Don José, but Roberto does it well, too.
this is the best ... ( 1 year ago by BariTenoreDram)
this is the best final of carmen ever in the history of this opera
God this is ... ( 1 year ago by alepeccia)
God this is astonishing, I'm still crying.. The two are superstars, and Bizet wrote something incredible.
Oh My! This ... ( 11 months ago by taurdur)
Oh My! This interpretation is really the best one I've ever seen. Every word, gesture, join the music for dramatic purpose within a perfect rendition of this Bizet's work. Nothing is missing. Good job, honestly.
The mezzo isn't ... ( 11 months ago by silvr94)
The mezzo isn't that good and the last two notes were too short...
Although he is a ... ( 11 months ago by CONTESTAR)
Although he is a lyric tenor who has to give it all for it, he keeps it up all the way through. If this harms him it's not for me to judge and thus I find his performance of a high level.
She misses the overtones most of the time which makes her sound dangerously under the key. I dont know her other performances but this sounds like she needs a rest.
wow, snif, snif! ( 10 months ago by federvarela)
wow, snif, snif!
superbe! ( 9 months ago by bleuprofond2002)
superbe!
Wonderful. Gorgeous ... ( 8 months ago by shinderera)
Wonderful. Gorgeous voices, and in such exquisite contrast too.
You know, whether he intends it or not, Alagna's performance somehow always seems to turn his characters into pampered brats pouting about their fates... Which isn't necessarily a bad thing, seeing as most tenor characters make sense in that interpretation. *g*
I agree Uria-Monzon ... ( 5 months ago by climatechangekills)
I agree Uria-Monzon isn't very good and she is not a mezzo she's a soprano dramatico. She artificially inflates her voice to sounds mezzo it is a shame because the timber is lovely but she is going to wreck her voice if she carries on like that! She continualy scoops the notes it's painful!
J'aime beaucoup le ... ( 2 months ago by vivijd14)
J'aime beaucoup le jeu d'Alagna dans cette scène!
Quelle diction !!! ... ( 3 weeks ago by fandopera)
Quelle diction !!! Si seulement l'ensemble des chanteurs pouvaient avoir cette qualité d'interprétation. Merci monsieur Alagna pour cette belle leçon : une grande simplicité apparente qui cache un vrai travail d'orfèvre !!!



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